Wendy Red Star
Wendy Red Star (b.1981, Billings, MT) lives and works in Portland, OR. An enrolled member of the Apsáalooke (Crow) Tribe, Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Drawing on pop culture, conceptual art strategies, and the Crow traditions within which she was raised, Red Star pushes the conversation surrounding Native American perspectives in new directions.
Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art (New York, NY); Brooklyn Museum (Brooklyn, NY), The Broad (Los Angeles, CA); the Getty Museum (Los Angeles, CA); Fondation Cartier pour l’Art Contemporain (Paris, France); Seattle Art Museum (Seattle, WA); Portland Art Museum (Portland, OR); the Museum of Contemporary Art Chicago (Chicago, IL) ; St. Louis Art Museum (St. Louis, MO); the Contemporary Austin (Austin, TX); Minneapolis Institute of Art (Minneapolis, MN); Massachusetts Museum of Contemporary Art (MassMoCA) (North Adams, MA); the Drawing Center (New York, NY); and the Cleveland Museum of Art (Cleveland, OH), among others. Her monumental sculpture, The Soil You See…, was included in Beyond Granite: Pulling Together, the first curated outdoor exhibition in the history of the National Mall (Washington, D.C), organized by Monument Lab in 2023. The work was then acquired by Tippet Rise Art Center (Fishtail, MT). Red Star’s was included in Acts of Resistance: Photography, Feminisms and the Art of Protest exhibition at South London Gallery, in partnership with the Victoria and Albert Museum (London, UK).
Her work is in over 60 public collections, including be the Museum of Modern Art (New York, NY); the Whitney Museum of American Art (New York, NY); the Guggenheim Museum (New York, NY); the Lucas Museum of Narrative Art (Los Angeles, CA); the Amon Carter Museum of American Art (Fort Worth, TX); the Denver Art Museum (Denver, CO); Crystal Bridges Museum of American Art (Bentonville, AK); the Baltimore Museum of Art (Baltimore, MD); the Fralin Museum of Art at the University of Virginia (Charlottesville, VA); the Nasher Museum of Art at Duke University (Durham, NC); the Birmingham Museum of Art (Birmingham, AL); the Williams College Museum of Art (Williamstown, MA); San Antonio Museum of Art (San Antonio, TX); and the British Museum (London, UK), among others.
Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She served as visiting lecturer at institutions including Yale University (New Haven, CT), the Banff Centre (Banff, Canada), National Gallery of Victoria in Melbourne (Melbourne, Australia), Dartmouth College (Hanover, NH), and CalArts (Valencia, CA). In 2017, Red Star was awarded the Louis Comfort Tiffany Award, and in 2018 she received a Smithsonian Artist Research Fellowship. In 2022, Red Star was an Anonymous Was A Woman Grant recipient. Red Star was named a 2024 MacArthur Fellow.
Her first career survey exhibition, Wendy Red Star: A Scratch on the Earth, was on view at the Newark Museum (Newark, NJ) through May 2019, and traveled to the San Antonio Museum of Art (San Antonio, TX) in 2022 and the Columbus Museum of Art (Columbus, OH) in 2023. Red Star’s monograph Delegation was co-published by the Aperture Foundation and Documentary Arts in May 2022 and was named one of Vanity Fair’s best art books of 2022. Red Star’s artist book Wendy Red Star: Bíilukaa, which documents the symbolism and material culture of the Biílukaa (Apsáalooke), was published by Radius Books in April 2023. She is represented by Sargent's Daughters.
Exhibitions
News
Harper’s Bazaar | October 4, 2024
The New York Times | October 1, 2024
The Art Newspaper | October 1, 2024
Hyperallergic | October 1, 2024
Oregon Public Broadcast | October 1, 2024
2024 MacArthur Fellow | October 1, 2024
Wendy Red Star represented by Roberts Projects in Los Angeles, CA | September 24, 2024
The Art Newspaper | September 11, 2024
What It Becomes, Whitney Museum of American Art, New York, NY | September 4, 2024 – January 12, 2025
Galerie Magazine | August 9, 2024
Are You Joking? Women & Humor, The Church Sag Harbor, NY | June 23 – September 2, 2024
In the Shadow of Paper Mountains, Gathering, London, UK | June 6 – September 14, 2024
Collage Culture, moniquemeloche, Chicago, IL | June 7 – August 9, 2024
Winner of 2024 Bonnie Bronson Fellowship
Nineteenth-Century Photography Now, Getty Center, Los Angeles, CA | April 9 – July 7, 2024
Financial Times | May 10, 2024
Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, UK | March 8 – June 9, 2024
Between the Lines: An RxART Coloring Book by Contemporary Artists – Volume 9 | RxART
The Washington Post | August 19, 2023
artnet news | August 19, 2023
Hyperallergic | August 18, 2023
The New York Times | August 17, 2023
Smithsonian Magazine | August 14, 2023
The Washington Post | August 12, 2023
Buffalo AKG Art Museum (Buffalo, NY) acquires Four Seasons (2006)
The Art Newspaper | July 21, 2023
The Rose, curated by Justine Kurland, lumber room, Portland, OR | July 29 – October 28, 2023
White Columns Benefit Auction | Bidding closes June 1, 2023
Photobook of the Year Honoree: Delegation (Aperture) | Center for Photography at Woodstock
The New York Times | May 11, 2023
Columbus Underground | April 28, 2023
Between Life and Land: Identity, Kimball Arts Center, Park City, UT | April 21 – July 9, 2023
A Scratch on the Earth, Columbus Museum of Art, Columbus, OH | April 21 – September 3, 2023
The New York Times | February 3, 2023
Time Magazine | December 21, 2022
The New York Times | December 7, 2022
Artnet News | December 7, 2022
Pulling Together, Monument Lab, Washington D.C. | Summer – Fall 2023
Anonymous Was A Woman 2022 Grant Recipient
American Art: The Stories We Carry, The Seattle Art Museum, Seattle, WA | Opens October 20, 2022
In a Dream You Saw a Way to Survive and You Were Full of Joy, The Contemporary Austin, Austin, TX | September 17, 2022 – February 12, 2023
Los Angeles Times | September 3, 2022
TimeOut New York | August 26, 2022
Travels Pretty, Public Art Fund | August 10 — November 20, 2022
The New York Times | August 5, 2022
The New Yorker | July 18, 2022
Amnía (Echo) acquired by San Antonio Museum of Art
Los Angeles Times | July 2, 2022
Musée Magazine | June 22, 2022
In the Middle of Everywhere: Artists on the Great Plains, Remai Modern, Saskatoon, Canada | June 4, 2022 – February 26, 2023
APERTURE Limited Edition Prints of Indian Woman Sitting, 2005
This is Not America’s Flag, The Broad, Los Angeles, CA | May 21 – September 25, 2022
Hyperallergic | April 21, 2022
Sharjah Biennale 15: Thinking Historically in the Present | February 7 - June 11, 2023
Stanford News | April 21, 2022
The Seattle Times | April 3, 2022
Strange Weather, Santa Cruz Museum of Art & History, Santa Cruz, NM | April 14 – August 14, 2022
Accession, Edition 10 - The British Museum, London, UK
Hues, Hannah Traore Gallery, New York, NY | January 20 – February 26, 2022
Picturing Motherhood Now, Cleveland Museum of Art, Cleveland, OH | October 16, 2021 – March 13, 2022
In Some Form or Fashion, The Momentary, Bentonville, AK | November 20, 2021 – March 13, 2022
Barron’s | September 10, 2021
The Art Newspaper | September 9, 2021
The New York Times | September 9, 2021
Galerie Magazine | September 7, 2021
A Float for the Future, Booth #F21, Javits Center, New York | September 9 – 12, 2021
Horses?, CHART Gallery, New York, NY | July 15 - August 22, 2021
Featured in The Seattle Times | June 16, 2021
Arcade Project | May 2021
Limited Edition Prints, Crow’s Shadow Institute of the Arts | May 2021
Quarterly Journal: No 29, High/Low Issue, Los Angeles Review of Books | February 2021
Stories of Resistance, Contemporary Art Museum St. Louis, St. Louis, MO | March 12 – August 15, 2021
UCLA Department of Art Lecture, Hammer Museum (online lecture) | February 4, 2021
Forbes | February 7, 2021
The Art Newspaper | February 1, 2021
Wendy Red Star, Joslyn Art Museum, Omaha, NE | on view through April 25, 2021
Panorama | Fall 2020
Accession, Edition 5 - The Amon Carter Museum of American Art, Fort Worth, TX
1800 Crow Peace Delegation, Edition 15 - The Baltimore Museum of Art, Baltimore, MD
Apsáalooke Feminist #4 - The Fralin Museum of Art at the University of Virginia, Charlottesville, VA
Accession, Edition 4 - The Museum of Modern Art, New York, NY
True Likeness, Van Every Gallery at Davidson College, Davidson, NC | October 29, 2020 – February 21, 2021
House to House: Women, Politics and Place, Frost Art Museum, Miami, FL | September 26, 2020 – February 7, 2021
Never Done: 100 Years of Women in Politics and Beyond, The Tang Teaching Museum at Skidmore College, Saratoga Springs, NY | September 17, 2020 – June 6, 2021
Wendy Red Star, Apsáalooke: Children of the Large-Beaked Bird, MASS MoCA, North Adams, MA | on view through May 2022
Aperture 240 | Fall 2020
The New York Times | September 10, 2020
Hyperallergic | August 6, 2020
The Art Newspaper | July 14, 2020
Houston Center for Photography | Spring 2020
New York Times | June 5, 2019
The Brooklyn Rail | May 29, 2019
New York Times | May 23, 2019
Artnews | May 1, 2019
Art in America | May 2019
Publications
Wendy Red Star - Bíilukaa (Published by Radius Books)