Wendy Red Star

Wendy Red Star (b.1981, Billings, MT) lives and works in Portland, OR. An enrolled member of the Apsáalooke (Crow) Tribe, Red Star works across disciplines to explore the intersections of Native American ideologies and colonialist structures, both historically and in contemporary society. Drawing on pop culture, conceptual art strategies, and the Crow traditions within which she was raised, Red Star pushes the conversation surrounding Native American perspectives  in new directions.

Red Star has exhibited in the United States and abroad at venues including the Metropolitan Museum of Art (New York, NY); Brooklyn Museum (Brooklyn, NY), The Broad (Los Angeles, CA); the Getty Museum (Los Angeles, CA); Fondation Cartier pour l’Art Contemporain (Paris, France); Seattle Art Museum (Seattle, WA);  Portland Art Museum (Portland, OR); the Museum of Contemporary Art Chicago (Chicago, IL) ; St. Louis Art Museum (St. Louis, MO); the Contemporary Austin (Austin, TX);  Minneapolis Institute of Art (Minneapolis, MN);  Massachusetts Museum of Contemporary Art (MassMoCA) (North Adams, MA); the Drawing Center (New York, NY); and the Cleveland Museum of Art (Cleveland, OH), among others. Her monumental sculpture, The Soil You See…, was included in Beyond Granite: Pulling Together, the first curated outdoor exhibition in the history of the National Mall (Washington, D.C), organized by Monument Lab in 2023. The work was then acquired by Tippet Rise Art Center (Fishtail, MT). Red Star’s work will be included in a Spring 2024  exhibition at South London Gallery, in partnership with the Victoria and Albert Museum (London, UK).

Her work is in over 60 public collections, including be the Museum of Modern Art (New York, NY); the Whitney Museum of American Art (New York, NY); the Guggenheim Museum (New York, NY); the Lucas Museum of Narrative Art (Los Angeles, CA); the Amon Carter Museum of American Art (Fort Worth, TX); the Denver Art Museum (Denver, CO); Crystal Bridges Museum of American Art (Bentonville, AK); the Baltimore Museum of Art (Baltimore, MD); the Fralin Museum of Art at the University of Virginia (Charlottesville, VA); the Nasher Museum of Art at Duke University (Durham, NC); the Birmingham Museum of Art (Birmingham, AL); the Williams College Museum of Art (Williamstown, MA); San Antonio Museum of Art (San Antonio, TX); and the British Museum (London, UK), among others. 

Red Star holds a BFA from Montana State University, Bozeman, and an MFA in sculpture from University of California, Los Angeles. She served as visiting lecturer at institutions including Yale University (New Haven, CT), the Banff Centre (Banff, Canada), National Gallery of Victoria in Melbourne (Melbourne, Australia), Dartmouth College (Hanover, NH), and CalArts (Valencia, CA). In 2017, Red Star was awarded the Louis Comfort Tiffany Award, and in 2018 she received a Smithsonian Artist Research Fellowship. Her first career survey exhibition, Wendy Red Star: A Scratch on the Earth,was on view at the Newark Museum (Newark, NJ) through May 2019, and traveled to the San Antonio Museum of Art (San Antonio, TX) in 2022 and the Columbus Museum of Art (Columbus, OH) in 2023. Red Star’s monograph Delegation was co-published by the Aperture Foundation and Documentary Arts in May 2022 and was named one of Vanity Fair’s best art books of 2022. Red Star’s artist book Wendy Red Star: Bíilukaa, which documents the symbolism and material culture of the Biílukaa (Apsáalooke), was published by Radius Books in April 2023. She is represented by Sargent's Daughters.

Exhibitions

Felix Art Fair 2024

Independent New York 2023

Our Side

Death of Beauty

Delegation

The Armory Show 2021

Brings Good Horses

Accession

News

Winner of 2024 Bonnie Bronson Fellowship

Nineteenth-Century Photography Now, Getty Center, Los Angeles, CA | April 9 – July 7, 2024

Acts of Resistance: Photography, Feminisms and the Art of Protest, South London Gallery, London, UK | March 8 – June 9, 2024

Artsy | January 12, 2024

Between the Lines: An RxART Coloring Book by Contemporary Artists – Volume 9 | RxART

New Wave Art Weekend Panel Discussion: What is Creative Expression Now? Exploring the Role of Art in Today’s Society, UOVO West Palm Beach, FL | Saturday, December 2, 10-11am

Women Reframe American Landscape, New Britain Museum of American Art, New Britain, CT | November 18, 2023 – March 31, 2024

Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters, Gallery 360, Northeastern University, Boston, MA | November 16, 2023 – April 6, 2024

Artforum | August 25, 2023

The Washington Post | August 19, 2023

artnet news | August 19, 2023

Hyperallergic | August 18, 2023

The New York Times | August 17, 2023

Smithsonian Magazine | August 14, 2023

The Washington Post | August 12, 2023

Buffalo AKG Art Museum (Buffalo, NY) acquires Four Seasons (2006)

The Art Newspaper | July 21, 2023

Beyond Granite: Pulling Together, Monument Lab x National Mall, Washington, D.C. | August 18 – September 18, 2023

The Rose, curated by Justine Kurland, lumber room, Portland, OR | July 29 – October 28, 2023

White Columns Benefit Auction | Bidding closes June 1, 2023

Photobook of the Year Honoree: Delegation (Aperture) | Center for Photography at Woodstock

The New York Times | May 11, 2023

Cultured Mag | May 10, 2023

Independent New York 2023: Travels Pretty, Sargent’s Daughters, Spring Studios, New York, NY | May 11 – 14, 2023

Hyperallergic | May 9, 2023

Women Reframe American Landscape, Thomas Cole National Historic Site, Catskill, NY | May 6 – October 29, 2023

Forbes | April 30, 2023

Columbus Underground | April 28, 2023

Between Life and Land: Identity, Kimball Arts Center, Park City, UT | April 21 – July 9, 2023

A Scratch on the Earth, Columbus Museum of Art, Columbus, OH | April 21 – September 3, 2023

Hyperallergic | April 6, 2023

The New York Times | February 3, 2023

Time Magazine | December 21, 2022

The New York Times | December 7, 2022

Artnet News | December 7, 2022

Pulling Together, Monument Lab, Washington D.C. | Summer – Fall 2023

Artforum | November 16, 2022

Anonymous Was A Woman 2022 Grant Recipient

Wendy Red Star, Apsáalooke: Children of the Large-Beaked Bird, Madison Museum of Contemporary Art, Madison, WI | November 12 – February 26, 2032

Forbes | November 7, 2022

American Art: The Stories We Carry, The Seattle Art Museum, Seattle, WA | Opens October 20, 2022

In a Dream You Saw a Way to Survive and You Were Full of Joy, The Contemporary Austin, Austin, TX | September 17, 2022 – February 12, 2023

Los Angeles Times | September 3, 2022

The Brooklyn Rail: A Zoom Conversation with Red Star and Zoë Hopkins | Friday, September 9, 2022 • 1pm EST / 10am PST

TimeOut New York | August 26, 2022

Artnet | August 25, 2022

Travels Pretty, Public Art Fund | August 10 — November 20, 2022

The New York Times | August 5, 2022

The New Yorker | July 18, 2022

Amnía (Echo) acquired by San Antonio Museum of Art

Los Angeles Times | July 2, 2022

Artsy | June 22, 2022

Musée Magazine | June 22, 2022

ArtReview | Summer 2022

The Clamor of Ornament: Exchange, Power, and Joy from the Fifteenth Century to the Present, The Drawing Center, New York, NY | June 15 – September 18, 2022

Apsáalooke: Children Of The Large-Beaked Bird, The Rockwell Museum, Corning, NY | June 18 – October 17, 2022

In the Middle of Everywhere: Artists on the Great Plains, Remai Modern, Saskatoon, Canada | June 4, 2022 – February 26, 2023

arte al dia | May 31, 2022

CNN | May 22, 2022

Vanity Fair | May 18, 2022

APERTURE Limited Edition Prints of Indian Woman Sitting, 2005

This is Not America’s Flag, The Broad, Los Angeles, CA | May 21 – September 25, 2022

ARTnews | April 22, 2022

Hyperallergic | April 21, 2022

Sharjah Biennale 15: Thinking Historically in the Present | February 7 - June 11, 2023

Stanford News | April 21, 2022

The Seattle Times | April 3, 2022

Strange Weather, Santa Cruz Museum of Art & History, Santa Cruz, NM | April 14 – August 14, 2022

American Progress, the Anderson Collection at Stanford University, Stanford, CA | April 6 – August 28, 2022

Accession, Edition 10 - The British Museum, London, UK

Based On A True Story…, Museum of Contemporary Art Chicago, Chicago, IL | February 12 – August 14, 2022

Wendy Red Star: A Scratch on the Earth, San Antonio Museum of Art, San Antonio, TX | February 11 – May 8, 2022

Native America: In Translation, curated by Wendy Red Star, Art on Hulfish, Princeton University Art Museum, Princeton, NJ | February 5 – April 24, 2022

Hues, Hannah Traore Gallery, New York, NY | January 20 – February 26, 2022

Object Relations: Indigenous Belongings, Wallach Art Gallery, Colombia University, New York, NY | December 4, 2021 – March 12, 2022

Public Art Fund, JCDecaux Bus Shelters Across New York, NY, Chicago, IL, & Boston, MA | Opens August 10, 2022

Picturing Motherhood Now, Cleveland Museum of Art, Cleveland, OH | October 16, 2021 – March 13, 2022

In Some Form or Fashion, The Momentary, Bentonville, AK | November 20, 2021 – March 13, 2022

ARTnews | September 10, 2021

Barron’s | September 10, 2021

The Art Newspaper | September 9, 2021

The New York Times | September 9, 2021

Galerie Magazine | September 7, 2021

 A Float for the Future, Booth #F21, Javits Center, New York | September 9 – 12, 2021

Horses?, CHART Gallery, New York, NY | July 15 - August 22, 2021

Featured in The Seattle Times | June 16, 2021

Arcade Project | May 2021

Limited Edition Prints, Crow’s Shadow Institute of the Arts | May 2021

Quarterly Journal: No 29, High/Low Issue, Los Angeles Review of Books | February 2021

Kios | April 19, 2021

Stories of Resistance, Contemporary Art Museum St. Louis, St. Louis, MO | March 12 – August 15, 2021

UCLA Department of Art Lecture, Hammer Museum (online lecture) | February 4, 2021

Forbes | February 7, 2021

The Art Newspaper | February 1, 2021

Wendy Red Star, Joslyn Art Museum, Omaha, NE | on view through April 25, 2021

Panorama | Fall 2020

Accession, Edition 5 - The Amon Carter Museum of American Art, Fort Worth, TX

1800 Crow Peace Delegation, Edition 15 - The Baltimore Museum of Art, Baltimore, MD

Apsáalooke Feminist #4 - The Fralin Museum of Art at the University of Virginia, Charlottesville, VA

Accession, Edition 4 - The Museum of Modern Art, New York, NY

True Likeness, Van Every Gallery at Davidson College, Davidson, NC | October 29, 2020 – February 21, 2021

House to House: Women, Politics and Place, Frost Art Museum, Miami, FL | September 26, 2020 – February 7, 2021

Never Done: 100 Years of Women in Politics and Beyond, The Tang Teaching Museum at Skidmore College, Saratoga Springs, NY | September 17, 2020 – June 6, 2021

Wendy Red Star, Apsáalooke: Children of the Large-Beaked Bird, MASS MoCA, North Adams, MA | on view through May 2022

Aperture 240 | Fall 2020

The New York Times | September 10, 2020

Hyperallergic | August 6, 2020

The Art Newspaper | July 14, 2020

ARTFIXdaily | June 24, 2020

Houston Center for Photography | Spring 2020

New York Times | June 5, 2019

The Brooklyn Rail | May 29, 2019

New York Times | May 23, 2019

Artnews | May 1, 2019

Art in America | May 2019

Publications

Wendy Red Star - Bíilukaa (Published by Radius Books)

Wendy Red Star - Brings Good Horses

Wendy Red Star - Accession