Alex Anderson

Not, 2022, Earthenware, glaze, gold luster, 24 x 17 x 4 inches.

Nightmare Vessel 3, 2018, Earthenware, glaze, gold luster, 6.25 x 13 x 13 inches.

Alex Anderson (b. 1990, Seattle, WA)  lives and works in Los Angeles, CA. Anderson uses the delicate medium of ceramics as his main vehicle to explore the sublime experiences that make up both the man-made and natural worlds, as well as deeper, more complicated issues of race and cultural representation. His artworks combine a novel dexterity in his medium with histories of art and design from around the globe, including the Baroque, Surrealism, Pattern and Decoration, and Japanese pop art.  Always irreverent, Anderson combines these references with idioms from African American vernacular and pop culture in order to probe the depths of reality, illusion and identity.

Anderson received his Bachelor of Arts in Studio Art and Chinese from Swarthmore College and his Master of Fine Arts in Ceramics from the University of California, Los Angeles. Anderson previously studied at the Jingdezhen Ceramic Institute in Jingdezhen, China and was awarded a Fulbright Grant in affiliation with the China Academy of Art in Hangzhou, where he continued his studies in ceramic art. His work has been exhibited across the United States, including at the Orange County Museum of Art (Costa Mesa, CA), Museum of Arts and Design (New York, NY), The Long Beach Museum of Art (Long Beach, CA), the American Museum of Ceramic Art (Pomona, CA), Human Resources (Los Angeles, CA), The Hole (Los Angeles, CA), Venus Over Manhattan (New York, NY), Deli Gallery (New York, NY), Gavlak Gallery (Los Angeles, CA; Palm Beach, FL), and Jeffrey Deitch Gallery (Los Angeles, CA and New York, NY), as well as internationally, including at the Public Gallery (London, UK), Gallery COMMON (Tokyo, Japan), and Baik Art (Seoul, South Korea). 

Anderson’s  work has been reviewed by Artsy, Artforum, Contemporary Art Review Los Angeles, Cultured, The Los Angeles Times, amongst others. He is represented by Sargent’s Daughters. His solo exhibition, “Everything is made of light,” will be on view at Sargent’s Daughters Los Angeles from February 24 through April 6, 2024.

Exhibitions

Felix Art Fair 2024

Everything is made of light

Lover’s Eye

Not Romantic

Death of Beauty

Selected Works (Online Viewing Room)

News

Fire Island Artist Residency 2024 Benefit Auction, curated by Rob & Eric Thomas-Suwall | Bidding closes March 28, 2024 at 12pm EST

Galerie Magazine | March 7, 2024

LA Weekly | February 26, 2024

Artsy | February 1, 2024

Bounce, curated by Storm Ascher, Oolite Arts, Miami, FL | October 18, 2023 – January 21, 2024

Elsewheres, curated by Zuzanna Ciolek, UTA Artist Space, Beverly Hills, CA | October 6 – November 11, 2023

Tokyo Gendai 2023, gallery COMMON, Pacifico Yokohama, Tokyo, Japan | July 7 – 9, 2023

Synth, curated by AMADOUR, gallery COMMON, Tokyo, Japan | July 1 – 30, 2023

Better Together X Penland Residency, Penland School of Craft, Bakersville, NC | July 2 – 14, 2023

Storage Wars, The Hole, Los Angeles, CA | June 24 – August 19, 2023

FAD Magazine | June 19, 2023

Ceramics Now Magazine | June 10, 2023

THIS TOO SHALL PASS, curated by Racquel Chevremont, Venus Over Manhattan, New York, NY | July 6 – August 12, 2023

Clay Pop Los Angeles, curated by Alia Dahl, Jeffery Deitch, Los Angeles, CA | June 24 – August 12, 2023

The Angels, BAIK ART, Seoul, South Korea | June 6 – 30, 2023

Making in Between: Queer in Clay, American Museum of Ceramic Art, Pomona, CA | May 6 – December 30, 2023

Art Fair Tokyo 2023, COMMON, Tokyo, Japan | March 10 – 12, 2023

Funk You Too!, Museum of Arts and Design, New York, NY | March 18 – August 27, 2023

Distinguishing Us, Sow and Tailor, Soho House, Los Angeles, CA | February 17, 2023

Barrio Barrio, Guerrero Gallery, Los Angeles, CA | February 4 – March 9, 2023

Cultured Magazine | January 30, 2023

A Love Letter to LA, Superposition Gallery, Phillips Los Angeles, Los Angeles, CA | January 19 – February 2, 2023

The Bunker Art Space, West Palm Beach, FL | 2022/23 Presentation

Los Angeles Times | August 31, 2022

California Biennale 2022, Orange County Museum of Art, Costa Mesa, CA | October 8, 2022 – January 2, 2023

Learn but the letters forme(d) by heart, Then soon you’l gain this noble art, Adams and Ollman, Portland, OR | September 17 – October 15, 2022